Ironic Resonance, Anti-sound Design and Radical Cacophony in Jia Zhangke's Xiao Wu

In the context of The Skin of the World program at Courtisane festival 2024, we invited Morgan Quaintance to reflect on the use of sound in Jia Zhangke’s Xiao Wu (Pickpocket).

This is the second publication in the Echoes of Dissent series, devoted to the politics of the soundtrack.

Published by Courtisane, in the context of the project Echoes of Dissent @ KASK & CONSERVATORIUM School of Arts Gent.

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